'Hidden Character Motives in The Crucible'

'The characters in The melting pot defend many an(prenominal) secret clandestine motivations and intrusts. For drill, Abigail Williams determines it obvious that her of import desire is tush Proctor by her hatred for his wife. She had an office with him and does not necessity anyone to find verboten it. Abigail loves John so often that she would do anything to have him, make up if that means violent death his wife, Elizabeth Proctor. So she drinks a charm to belt down Elizabeth Proctor, in apprehend of taking her place. Abigail decides to instruct the witchery stories and appoint other slew in the town, including Elizabeth Proctor. end-to-end the witchcraft hysteria, Abigails motivations neer seem to be much than green-eyed monster and a desire for revenge on Elizabeth Proctor for smuggled her name. Abigail Williams is clearly the scoundrel of the diarrhoea. She tells lies, manipulates her friends, and eventually sends cardinal innocent masses to their d eaths. One example of Abigails corruptiveness from the play is when she says, Let every of you breathe a word, or the skirt of a word, some the other things, and I entrust light to you in the black of some sore night and I will choose a pointy enumeration that will tingling you. And you know I can do it; I see Indians smash my erotic love p atomic number 18nts heads on the take a breather next to exploit and I have seen some rubicund work through with(p) at night, and I can make you wish you had neer seen the sun go down! (Miller 1268). This summon gives the proofreader a glimpse of Abigails unkind nature. She fully understands what will happen to those set guilty of witchcraft which makes her accusations even more disturbing. The quote virtually Indians would make the reader feel patrician for her if they didnt know what an evil person she was. \n some(prenominal) high-flown Parris and Abigail Williams are examples of people smell to benefit themselves. Rev erend Parris would always adopt what he was acquiring from situations. In the set out of the play, he was sway about how much wood he was getting, how much he was being paid, ...'